Caravaggio, Flagellation of Christ, detail, 1607 Light can suggest the volumetric spatiality of subjects, animated or inanimate, and a lasting or temporary temporality of events. Throughout the history of art, geographical productions have been marked by different types of representation that, from time to time, underwent declinations according to the ages. We would like to compare three of these different typologies in order to differentiate the three different ways of understanding representation, space and time. If we examine a […]
