Tag : comics

Abitare il vuoto

Il fumetto è per sua natura un’arte composita, e chiunque ne abbia trattato si è visto immancabilmente costretto a rilevarne le connessioni con altri ambiti e linguaggi artistici. Eppure mai ci è accaduto di leggere di un’eventuale connessione tra fumetto e architettura e, in questa sede, vogliamo ovviare a questa mancanza. Il vuoto, ritengo, sia ciò che 
accomuna queste due discipline. Mi riferisco a tale concetto così come viene inteso a partire dall’architettura degli anni’50 e a come ce lo […]

Response to Moebius

This intervention was triggered by the reading of Jean Giraud – Moebius Histoire de mon double, passed to me by Marco Bianchini, a talented Italian cartoonist on the breach for many years now. Some passages of the text have struck me particularly and I would like to give them an answer. In particular, Moebius insists on some linguistic aspects that are particularly important to him in the chapter Questions of style. In the text, the great French cartoonist tends to […]

The intelligence of Moebius

after John Flaxman, The Sirens, 1805, Tate Modern, London   What has always struck me about the representations of Moebius (Jean Giraud 1938-2012) ¬ – even though he is an author dedicated to comics and therefore to an art form that is by nature dynamic and sequential – are the metaphysical sensations and suspension that emanate from them. This is an aspect that is not obvious and, in some ways, surprising that characterizes the work of one of the greatest […]

Line, gesture and matter

Vincent van Gogh, Cornfield with Ravens Flight, 1890   Up to now, in this blog, I have introduced the spatio-temporal trends of composition (https://www.danilosantinelli.it/danilos-blog/spatio-temporal-trend-of-the-composition/), the aspects of basic geometric forms (https://www.danilosantinelli.it/danilos-blog/aspects-of-basic-geometric-shapes/) and the aspects of colour (https://www.danilosantinelli.it/danilos-blog/color-aspects/), all of which are fundamental to conducting the analysis of a visual text from a grammatical point of view, given that, as has already been said several times, images use their own grammar that allows them to express themselves and make clear to […]

Colonized imagery

Philips PM5544 Monoscope   Let me first explain the title. Think of our generational formation, of how our memory and our way of imagining are bound by what we have seen and stored mnemonically, indelibly marking our identity: cinema, in particular American cinema, or rather Hollywood cinema, with its frenetic sequential narration, profoundly different from European productions, there is also national cinema, but if we think of its cultural impact on a large scale, we must necessarily refer to the […]

Spatio-temporal trend of the composition

In the previous article (https://www.danilosantinelli.it/danilos-blog/illusoriety-of-realism/) I pointed out that talking about realism within visual texts is improper. In fact, they use codes that address our way of seeing and thinking about the world, and therefore our perception of it, which is far from being real is instead distorted: in this sense, the example of the perspective convergence that our gaze – and the drawing consequently reproduces – perceives – was given. The sense of realism is therefore given by proposing […]

Illusoriety of realism

Anonymous, View of an ideal city (detail), 1490-99ca   This, which I am presenting here, is the first in a series of interventions aimed at the dissemination of visual grammars. An aspect that, as I said in the introduction to the blog (https://www.danilosantinelli.it/danilos-blog/two-or-three-things-about-the-blog/), is closely linked to the analysis of the characteristic aspects of postmodernism, given the massive use of images and their wide dissemination implemented by postmodernism as a privileged linguistic vehicle and attributable to its characteristics of speed […]